1st February 2009
giovedì 5 febbraio 2009
giovedì 29 gennaio 2009
martedì 20 gennaio 2009
0.01 COLOURS
My research starts with an analysis of the ‘theory of colours’ by Goethe in 1810. Goethe characterized colour as arising from the dynamic interplay of darkness and light.
In the first experiment the nature becomes a symbol of meditation in the relationship to time and space.
I define the snow as pure element, lacking of colours but at the same time it is the foundation of form and color’s harmony. I define the snow as the principle of efficient contact of the form with the human soul.
Colours enter and disappear from the corporal world, crossing lights and shadows. As people we need to be brave and interpret the good and bad sensations that colours provoke in order to undestand that these feelings can be experienced momentarily or endured through time.
My research starts with an analysis of the ‘theory of colours’ by Goethe in 1810. Goethe characterized colour as arising from the dynamic interplay of darkness and light.
In the first experiment the nature becomes a symbol of meditation in the relationship to time and space.
I define the snow as pure element, lacking of colours but at the same time it is the foundation of form and color’s harmony. I define the snow as the principle of efficient contact of the form with the human soul.
Colours enter and disappear from the corporal world, crossing lights and shadows. As people we need to be brave and interpret the good and bad sensations that colours provoke in order to undestand that these feelings can be experienced momentarily or endured through time.
